Darker Waves Festival 2023 – New Order, Tears For Fears, Devo, the Psychedelic Furs, etc.

The Inaugural Darker Waves Festival Proves That Synth-Pop Never Goes Out of Style

Just when it felt like festival season was finally winding down for 2023, one last entry for the year came in under the wire – and it was a good one. For the first time ever, Darker Waves Festival gave fans of 80’s New Wave and synth pop the unforgettable experience of catching major acts like New Order, Tears For Fears, The B’52’s, Devo, the Psychedelic Furs, and more right on the water in Huntington Beach. With such a good lineup, location, and experience, we’re hoping this is just the beginning of an annual trip to Darker Waves.

The festival, which took place on Huntington Beach City Beach – just 40 miles south of Los Angeles and in the middle of November – ended up having truly perfect weather despite many forecasts predicting a day of gray clouds and rain. Initially, many fans worried the day would turn into a repeat of Cruel World Festival, which took place in Pasadena this past summer and ended early before 80’s legend Souixsie of Siouxsie and Banshees could take the stage because of a lightning storm that never actually reached the festival. Luckily for Darker Waves, not only did it never rain, but the sky remained clear and breezy for the whole day.

Both the fest and the fans took the 80’s-goth-beach theme and experience a few different ways. The beach featured everything from vapor wave-inspired photo ops and a giant sand sculpture, to a completely free arcade of 80’s pinball and video games and even a real-life Delorean. Many fans wore black bathing suits and black crocs while others wore long sleeves and thigh-high, chunky goth boots. Dozens of people in the crowd wore band merch, including the infamous red Devo hats, and even more had various clothes sporting the slogan, “Make America Goth Again.”

Aside from the incredible lineup and perfect weather, some highlights of the festival include a generally well-organized and kind staff, nice amenities like bathrooms and the aforementioned arcade, and excellent food and drinks. Typical festival food was present like burgers and fries, chicken strips, etc., but almost all of it was elevated in both quality and taste. Pulled pork nachos, teriyaki chicken wraps, root beer floats, and pumpkin spice shakes were just a few treats available for purchase; the only obvious downside to the food were the prices. ($20 for a burger, $13 for fries, and $9 for a lemonade were typical.)

In terms of the live music, Darker Waves is a great festival for fans that love to camp out at one stage all day and a really bad one for fans that like to run around and catch a little bit of everyone. Because DW is only a one-day fest and featured more than 30 acts on the bill, it was absolutely impossible to catch even half the bands performing. The main stages – called “Darker” and “Waves” – sat about three-quarters of a mile away from each other, forcing fans to trek through both lots of people and lots of sand to see acts with only five minutes between each set. This resulted in over a dozen cruel set overlaps; fans had to choose between The Human League and the B-52’s; the Psychedelic Furs and Echo & the Bunnymen; between the Cardigans and Devo; between Molchat Doma, Violent Femmes, and London After Midnight.

Luckily, no matter what stage someone chose during their time at Darker Waves, they were bound to witness a great show. Early in the day, English band Blossoms – who formed in the early 2010s but have a definitive synth-y, New Wave sound – combined light vocals with charging basslines and drum beats to create undeniably catchy songs. A highlight of their set was new song “To Do List (After A Break Up),” a nostalgic and dancey romp you can’t help but sing along to. Not long after them, The English Beat took the same stage and got the whole crowd dancing in the sand with their hit, “Tenderness.”

Speaking of dancing, local punky legends X hit the Darker stage with a set of nonstop hits including fan-favorite “Los Angeles.” Singer Exene Cervenka tossed her hair back and forth and shimmied across the stage with all the confidence and joy you’d expect. Meanwhile, T.S.O.L. drew a huge crowd at the third and smallest stage at the fest – the Tiki Stage – just before a triumphant showing from goth legend Sean Brennan’s band, London After Midnight. The band – led by Brennan – played an entire set in atmospheric smoke and fog as each band member’s long hair blew in the beachy breeze. While their moody songs fit the Darker Waves bill just right, it was impossible to ignore all the women in the crowd screaming throughout their set. Not long after, the French musician and DJ Kavinsky made the Tiki Stage into a dancefloor. The crowd went wild when he spun his big hit “Nightcall” made famous in the soundtrack to the Ryan Gosling film Drive, as well as a great remix of Satisfaction with a Daft Punk track. 

Back at the Darker Stage, the Cardigans delighted the crowd with the infectious “Lovefool” and an airy cover of “Sweet Child o Mine.” Opposite them at the Waves stage, and somehow attracting the largest crowd of the entire festival, were Devo. Perhaps the crowd had heard how this was one of Devo’s last ever performances, or perhaps tens of thousands of people just knew they needed to hear “Whip It” one last time, but Mark Mothersbaugh lived up to the challenge and put on a memorable final show for thousands at Darker Waves. With fans wearing yellow jumpsuits and those classic red Devo hats, the little pops of color peppered the entire festival and felt like a special send-off for a fun band.

As the sun set, Soft Cell brought out neon lights and the greatest mashup of “Tainted Love” and The Supremes’ “Where Did Our Love Go?” you’ve ever heard. Marc Almond held out the mic to the crowd to sing along as psychedelic graphics moved on the huge LCD screen behind him. The Psychedelic Furs ended up coming out onstage around 15 minutes late, but the crowd barely cared the moment they jumped into “Heaven” and “Mr. Jones.” Nearby, The Human League closed out the Tiki Stage for the night and brought their upbeat technicolor vibe to an adoring audience. Singer Philip Oakey dressed in a shiny black leather jumpsuit with big shoulder pads and stalked around the stage as vocalists Susan Ann Sulley and Joanne Catherall each sang with voices that showed zero sign of having aged in over 30 years.

The B-52’s, who are still as magically energetic as ever, put on a show for the ages; colorful visuals, fun outfits, and all the crowd’s favorite songs made the set beyond memorable. The final three tracks of “Private Idaho,” “Love Shack,” and “Rock Lobster” were hands down some of the most fun performances of the whole festival. It felt like Darker Waves couldn’t get any better, and yet somehow it did. Headliners New Order – led by the lovable Bernard Sumner – played nearly 80-minutes of straight hits, dazzling the crowd with electric green, red, blue, and yellow lights through memorable tracks like “Age of Consent,” “Ceremony,” “Blue Monday,” and “Bizarre Love Triangle.” Each track somehow embodied the studio versions of the songs we know and love while having a little twist when played live. “Blue Monday” featured an extended synthy intro while “Bizarre” had an extended outro. The way certain songs took on new life during the performance just proved how New Order has never been interested in resting on their laurels; their songs are alive, fresh, and still resonate with audiences. This approach gave them one of the best sets of the night.

Closing out the entire festival on the Darker stage was Tears For Fears, whose mere stage presence alone reminded the audience why they made the top bill. Band mates Curt Smith and Roland Orzabal played off one another with the ease and joy that only a band who’s been around as long as them can have, taking turns playing guitar, singing, and riffing off one another. By the time the pair began “Everybody Wants To Rule The World” – placed third in their set – it felt like the day couldn’t get any more perfect. The skies were clear, the softest breeze was blowing, and thousands upon thousands were singing in one voice.

Through a combination of lovable legacy acts, a perfect location, and nostalgic but fun experience, Darker Waves Festival put on a memorable and remarkable first year. With only a few changes – like cheaper prices, less set time conflicts, and stages that are slightly closer together – Darker Waves might become the unmissable festival of Southern California.

Jack White 1/30/16

(a) setlist

    1. Dead Leaves and the Dirty Ground (The White Stripes cover)
    2. High Ball Stepper
    3. Lazaretto
    4. Hotel Yorba (The White Stripes cover)
    5. Temporary Ground
    6. Cannon (The White Stripes cover)
    7. Broken Boy Soldier (The Raconteurs cover)
    8. Love Interruption
    9. We’re Going to be Friends (The White Stripes cover)
    10. Three Women
    11. Black Math (The White Stripes cover)
    12. Top Yourself (The Raconteurs cover)
    13. Ball and Biscuit (The White Stripes cover)

Encore:

  1. That Black Bat Licorice (w/ Q-Tip)
  2. Excursions (A Tribe Called Quest cover w/ Q-Tip)
  3. Sixteen Saltines
  4. Astro (The White Stripes cover)
  5. Steady As She Goes (The Raconteurs cover)
  6. Would You Fight For My Love?
  7. Just One Drink
  8. Blunderbuss
  9. Seven Nation Army (The White Stripes cover)

(b) highlights

  • my friend won a lottery through Jack White’s fan club that let us automatically get in the venue first, which means front row center at Madison Square Garden = heaven
  • that SETLIST, Jesus
  • getting to hear that many White Stripes songs was a true treasure
  • I don’t know how or why, but “That Black Bat Licorice” was seriously next level – a damn near religious experience
  • the entire show’s audio streamed on xm radio, which made the whole experience that much more special
  • Jack was in a great mood, elevating each moment to a better place – his mood made the performance the best possible

(c) lowlights

  • I don’t know who I have to murder to hear “Icky Thump” live, but I would really like to know eventually, please
  • also willing to commit a small crime to hear the Dead Weather’s “I Cut Like a Buffalo,” but I suppose that’s a longshot that this point
  • Jack White is CRAZY about people taking photos during his shows (meaning, he’s stopped performing and caused a scene because of it), so no one took pictures throughout the show*
  • *(this isn’t actually a lowlight – it was nice that no one was distracted during the performance, but I wish I could’ve had a few keepsake photos of my experience)

(d) overall thoughts

For those who don’t know, Jack White is an…eccentric guy. As a performer, he doesn’t use conventional setlists or even really determine how long his shows will be before they’ve started. His band of touring musicians are a particularly skilled group of people who can equally perform each song with perfection and anticipate the unexpected when it comes to Jack. As an astute audience member, you can definitely sense the tension every so often on stage. Jack will start one song and turn it into something else halfway through. His violinist will pick up one fiddle and bow only to immediately put it down and pick up something else after Jack has changed the song seemingly mid-chorus. It sounds stressful, and sometimes anxiety-inducing to watch, but at Madison Square Garden, it made me excited. I had seen Jack White’s solo act twice before this show – once in a small outdoor venue and another at a huge festival – but it was at this show that he seemed most happy, comfortable, and effortlessly thrilled to be playing. He performs for himself, not the audience, so his art really speaks for him. Make of that what you will.

Jack’s second solo album Lazaretto was so strong to me, and this night really let those songs shine right alongside some true White Stripes classics. “High Ball Stepper,” “Temporary Ground,” and “Three Women” felt so fully embodied as songs that you wonder how they haven’t always existed. “That Black Bat Licorice,” even with the bizarre accompaniment of Q-Tip, felt so massive and so much bigger than that venue could even hold. Each song felt like taking steps a part of a greater journey, and I was so willing to take Jack White’s hand and let him lead me along the way. Regardless of how people feel about Jack, who has somehow become a point of controversy over the years, you can’t deny the presence of magic hearing 20,000+ people sing “Seven Nation Army” in such an iconic arena. That’s something you never forget.

Bottom line: Jack White is a true musician in every sense of the word, and experiencing his art live is a privilege…even if he sort of hates the audience in the process. I can live with that.

[All photos are by David James Swanson, Jack’s personal photog.]

 

Bonus Material!

My blonde head is too excited and jumping in and out of frame, but man, this song was beautiful.

 

Halloweentown / Romance Fantasy 4/8/16

(a) setlist

The best part about seeing local Las Vegas bands led by local Las Vegas legends is that no one knows the setlist and no one cares.

(b) highlights

  • finally hearing songs I remember downloading off Myspace circa 2006
  • the Bunkhouse Saloon atmosphere: two parts broken-neon-cowboy, one part hip Downtown Vegas makes for a sweet spot
  • good ole fashion rock ‘n’ roll with a dusty country hint

(c) lowlights

  • taking photos in this venue feels impossible when the lighting is so fickle and makes every photo look exposed to UV rays; (ironic that lights were lowlights, yeah?)

(d) overall thoughts

I discovered both Halloweentown (fronted by the infamous Ryan Pardey aka the Captain aka Bad Santa [see: several different Killers’ Christmas music videos]) back in 2006 when Ryan spent his time touring with The Killers, and Romance Fantasy (fronted by Ryan’s brother Rod Pardey aka Michael Valentine [see: a wonderful b-side on an iconic Killers album]) through osmosis over the years. Romance Fantasy had a bit of a Southern California-beachy rock ‘n’ roll vibe with comforting vocals and catchy choruses – though I’m a Beach Boys fan, so I dig that. Halloweentown tapped into country soul; every song had heart and a story, if you know what I mean.

Bottom line: Loved the local cowboy vibe of the venue, the good ole fashioned rock ‘n’ roll tunes, and hope the Bunkhouse Saloon stays open for the foreseeable future.