Franz Ferdinand, Zane Lowe 6/4/17

(i) lineup

1a. Zane Lowe
2b. Franz Ferdinand

(1a) (Zane Lowe) setlist

    1. To quote Zane, “I’m doing 80 songs in 40 minutes, so let’s get it, New York!!!”
    2. does it matter what the songs were?

(1b) highlights

  • Zane Lowe indirectly helped shape my entire music taste and he certainly has no idea

(1c) lowlights

  • Zane Lowe indirectly helped shape my entire music taste and he certainly has no idea

(1d) overall thoughts

  • This image below includes the only important takeaways from the performance


Bottom line: Zane Lowe was a Radio 1 DJ and legendary host of MTV’s Gonzo hour interviewing people I loved, and now resides at Apple Music interviewing dumb people I hate. He made me dance at Gov Ball, even when I thought he looked dumb. Good guy. Dumb banter, but good guy.


(2a) (Franz Ferdinand’s) setlist

    1. Jacqueline
    2. No You Girls
    3. The Dark of the Matinee
    4. Paper Cages
    5. Do You Want To
    6. The Fallen
    7. Walk Away
    8. Love Illumination
    9. Michael
    10. Always Ascending
    11. Take Me Out
    12. Ulysses
    13. This Fire

(2b) highlights

  • FRANZ!!!!!!
  • but but FRANZ!!!!
  • that setlist. like. what. Jacqueline. Dark of the Matinee. Michael. Ulysses. All of it.
  • Hit after hit after hit after hit, this band NEVER QUIT.
  • if you’ve never seen or heard a festival crowd sing along to probably one of the greatest guitar riffs of the last 30 years in a huge festival crowd, then you’ve never seen “Take Me Out” and you’ve never LIVED

(2c) lowlights

  • the first three rows of people were all there for some tool ass DJ named Logic and every bro in his crowd made me wanna commit suicide; none of them deserved to even be in Franz’s presence

(2d) overall thoughts


Franz Ferdinand were one of the first bands I ever listened to and truly loved. I remember having their debut Franz Ferdinand and 2005 hit You Could Have It So Much Better rotating in my CD player, along with Hot Fuss and the Hot Hot Heat album that came out that year. Their first two albums were so incredibly formative for me that it’s entirely possible my life would’ve gone a different direction had I not discovered them. That’s powerful.

Despite being a huge fan since Day 1, this show was only my second time seeing Franz. For some reason, they tend not to make it out to NYC – or American in general – all that often. The first time I saw them was only in 2013 and I still think that performance is one of the greatest shows I’ve ever seen. At Governor’s Ball, my friends and I were close to the stage, but trapped in a sea of non-Franz fans. I later learned that nearly everyone behind us, going back nearly 40 rows – which is notable considering they weren’t on a main stage – were there to see them, but at the time…it really felt like an intimate concert just for us. And I swear I’ll never forget it.

The interesting thing about desperately loving music that was popular over a decade ago is recognizing when that music, and the people that create them, start to feel their age. Franz Ferdinand absolutely captured a musical moment in time when they hit the scene in the early 2000s. Some people might even say that they created the scene, and I wouldn’t disagree with that. A bunch of art school kids, Franz transformed the post-punk revival into something that was dirty and gritty and from New York (a la Interpol, Yeah Yeah Yeahs, the Strokes) and made it something cool, slick, arty, dance-y, and fun. 90% of indie alternative bands out today would not exist if it weren’t for Franz Ferdinand and I will fight anyone who says different.

Opening with “Jacqueline,” “No You Girls,” and “Dark of the Matinee” perfectly reveals how resonating this band’s influence has been not only on music, but for fans. Even without having heard “Jacqueline” in years, aside from occasionally coming up on shuffle, I didn’t hesitate in the slightest when it was time to scream-sing, “It’s always better on holiday, so much better on holiday, that’s why we only work when we need the money.” I was back in my parents car with my CD player and headphones wrapped over my ears with those orange and brown, cracked CD cases.

Bottom line: Franz Ferdinand is iconic, not simply in what they did for music and the genre, but for their undeniable ability to bring joy and showmanship to performance. When other bands have found it easy to play their back catalog straightforwardly, Franz elevates their songs to classic status by throwing themselves completely into the sound. I pray this band never goes away, but if they do, their music will live on and there’s nothing more comforting than that.

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