The Killers 7/22/16

(a) setlist

    1. Enterlude
    2. Change Your Mind
    3. Spaceman
    4. Smile Like You Mean It
    5. Bones
    6. Losing Touch
    7. Bling (Confession of a King)
    8. Shadowplay (Joy Division cover)
    9. Human
    10. Somebody Told Me
    11. Glamorous Indie Rock ‘n’ Roll
    12. For Reasons Unknown
    13. A Dustland Fairytale
    14. Can’t Help Falling In Love (Elvis Presley cover)
    15. Read My Mind
    16. Runaways
    17. All These Things That I’ve Done
    18. Mr. Brightside

Encore:

  1. Shot at the Night
  2. Jenny Was a Friend of Mine
  3. When You Were Young

(b) highlights

  • The Killers are perfection, thank you and goodnight.
  • as someone who sees this band a lot…I really appreciate when they change things up; opening with “Enterlude” and “Change Your Mind” was definitely different and I loved it a lot
  • even though they aren’t my favorite songs in any way and I could name probably 20 Killers songs I’d want to hear before them, it was nice to hear “Bones” and “Losing Touch” for the first time in legit 8 years
  • for some reason, Brandon seemed really emotionally into “A Dustland Fairytale” and “Runaways” at this show, and that’s always a cool thing to see
  • Ronnie Vannucci continually dominates existence and all other dudes should pretty much just quit trying
  • the Elvis cover is probably the only repeated Killers cover that I genuinely really like and feel excited when it starts
  • the very confused yet earnest speeches before both “Losing Touch” and “Glamorous Indie Rock ‘n’ Roll” (“This is called Losing Touch. You can find it on the YouTube”; “I went to Dave’s apartment and we read on the computer…”)
  • “Shot at the Night” just might be in my top 10 favorite Killers songs; maybe even higher
  • being all the barricade with everyone I was with; sharing the experience with the people around you can really enhance the emotional setting and I won’t ever forget the feeling of being alongside my friends
  • Ronnie Vannucci threw me his drumstick just before the encore; air-drumming your heart out really pays off, people ❤
  • “Tell all your friends.” – Ronnie Vannucci Junior, savior, genius, poet

(c) lowlights

  • Mark August Stoermer, every show is incomplete without you, I hope you realize that
  • do we really need “Shadowplay” still in this set after literally 9 years? no, we do not need “Shadowplay” still in this set after 9 years
  • why was only one song from “Battle Born” played? that album was good enough for me, BFlow. it was more than good enough for me.
  • one day, this band will resurrect “Believe Me Natalie” and I will be there to see it, I swear to all that is holy this will happen

(d) overall thoughts

Oh, Atlantic City. For some reason, almost on accident, I’ve seen The Killers in Atlantic City three times in the last four years. And strangely, every time has been particularly great. Even though casino shows are usually a drag – whether because of the crowd or something else – this show at the Borgata was fantastic. It could just be that the last time I saw The Killers was at the very very rainy and very very massive Governor’s Ball Festival, but this Borgata show felt exceptionally intimate. You could see Brandon’s pores, you could see Dave’s gray guitar picks tucked into his mic, you could hear Ronnie laugh.

The set was an unusual one in that it was so heavy on both Hot Fuss and Sam’s Town songs, but I sort of loved that. Battle Born felt a little neglected, but it also felt like the band was having fun. There was a freshness to it all, which is a great irony considering nearly every song performed was released between four and 12 years ago. No one can say that The Killers don’t treat every performance like it’s their first time playing all those tracks. There’s passion, energy, excitement, and it never feels like they’re going through the motions.

The wonder of all these shows, the reason we all keep coming back, and the reason why I’ll never stop going is all the same. Because it’s home. Brandon’s showmanship, silly speeches, and equally silly jackets. Dave’s understated presence and flawless talent (seriously, have you ever heard that dude miss a note?). Ronnie’s playful energy and awe-inspiring performance. The songs. The lights. The feeling. That shit is home.

 

Bottom line: The Killers are my children, my heart, my precious angels, and the ones that welcome me home with every single live performance. How could I not love them for that?

Albert Hammond Jr. w/ Gary Clark Jr. 5/21/16

(i) lineup

(1a) Albert Hammond Jr.
(2b) Gary Clark Jr.

(1a) (Albert’s) setlist

  1. Rude Customer
  2. 101
  3. Touche
  4. Carnal Cruise
  5. GfC
  6. Everyone Gets a Star
  7. Born Slippy
  8. Spooky Couch
  9. Losing Touch
  10. In Transit
  11. St. Justice
  12. Side Boob
  13. Coming to Getcha
  14. Holiday

(1b) highlights

  • Albert!!!! just seeing him makes me so happy, man
  • the setlist! (despite showing up a few songs late, ugh); walking to the venue, I said, “all I really want to hear are ‘Born Slippy,’ ‘Losing Touch,’ and ‘Side Boob’ – it’d be cool if he played those” AND THEN HE DID
  • the arrangement of the songs alone was on fire
  • this feels so stupid to say, but Albert actually sounds EXACTLY like he does on his albums; for the other Strokes’ members who have solo works…..they don’t.
  • everyone in his backing band is cool and doesn’t look bored; insane that this isn’t a typical thing but whatever

(1c) lowlights

  • doors opened way earlier than usual, I was running late because of work, and missed the first couple of songs, SO devastating

(1d) overall thoughts

I’ve been looking forward to seeing AHJ perform his third solo album Momentary Masters since it came out nearly a year ago! I missed the last time he came to NYC, so I was psyched to hear he’d be playing a double headlining set with Gary Clark Jr. at Webster Hall. I saw him perform once before opening for Jake Bugg and promoting his EP AHJ, and he killed it. I’ve loved all his work (honestly more than half the discography of The Strokes) since his practically perfect first solo album, Yours to Keep.

My favorite things about Albert’s work really comes down to how his songs are catchy as hell, all sounding very much like him but distinct from each other, have that shimmer-factor guitar rhythms and solos, sweet vocals, and lyrics with a lot of heart. This Webster Hall show really hammered down the fact that nearly every one of Albert’s tracks could be a single – you can’t help but sing along with all of them. His knack for writing melodies is just so top notch, almost unparalleled. The performance of his newer songs along with the older ones (some of those are 10 years old now, wtf???!) melded perfectly, and his stage presence really brought those tracks even more to life for me.

Bottom Line: Albert Hammond Jr. is the best member of the Strokes, and a quarter of his solo discography is better than 80% of the Strokes’ discography, and I’ll pretty much fight with anyone who disagrees. Also Julian Casablancas and his his Voidz side project is so embarrassing compared to this, like wow.

(2a) (Gary’s) setlist

    1. Bright Lights
    2. Travis County
    3. Next Door Neighbor Blues
    4. Our Love
    5. Cold Blooded
    6. BYOB
    7. Ain’t Messin ‘Round
    8. When My Train Pulls In
    9. Don’t Owe You a Thang
    10. Please Come Home
    11. You Saved Me
    12. Shake

Encore:

  1. Things Are Changin’
  2. Church
  3. Down to Ride
  4. Grinder

(2b) highlights

  • Gary is one hell of a guitarist, like FOR REAL
  • never really encountered GCJ or most of his discography, so it was cool going in blind and being impressed by him
  • really good stage presence

(2c) lowlights

  • some guitar solos can be too long…sacrilege, I know, but it’s true

(2d) overall thoughts

Didn’t know much about Gary Clark Jr. before seeing him, other than knowing he was a cool Southern black dude who plays bluesy-ass guitar super well. And that was pretty much it! In a good way. The crowd was super into him and his songs, which created a fun, positive environment.

He reminded me a little bit of a much-less-boring Ben Harper with elements of Jack White. When his songs were most focused on melody, the chorus, and his vocals, I was so on-board. Nearly every song, however, fell into that free-form jazzy-type that led to solos lasting minutes. It wasn’t too meandering most of the time – I quite enjoyed the bluesy aspect of it all, even if it isn’t quite my usual jam.

Bottom Line: Gary Clark Jr. is naturally super cool and can play the hell out of the guitar; he strikes me as a totally less awful and douchey version of John Mayer, but what do I know.