I really just love how Joywave doesn’t give a shit about 90% of anything ever going on
“Golden State”!!! one of my favs from the band’s first EP Koda Vista
I’ve noticed in the recent past that, as a band, Joywave has developed a bit of a chip on their shoulder since the release of their last album How Do You Feel Now?, which I mentioned in previous reviews, but I didn’t feel that too much at this show; in fact, the band felt pretty genuine and happy to be performing – that was great
this setlist was ace – loved it from beginning to end
playing “Destruction” twice is still hilarious after about two years of this schtick going on, but…I like “Tongues” and I want to hear the whole thing; for the second time live, Joywave has cut “Tongues” in half to interject “Destruction” a second time and I’m hoping this will be the last time
the median age of the average concert-goer at this event was roughly 16 and I don’t know why
the Music Hall of Williamsburg is such a garbage venue – how does a MUSIC hall continually have SOUND issues??? like, every show???
(d) overall thoughts
Joywave have grown quite a bit in the past year or so. I feel privileged to have seen Joywave a little less than a dozen times now over the last three years, so I’m pretty confident in thinking that their best days are ahead of them. They’re fun, solid performers who know how to take control of the audience and set the mood quickly and assertively.
Because they’ve opened for and toured with so many different bands – Bleachers, Betty Who, Silversun Pickups, Foals, Brandon Flowers, Kopps – their audiences at every show seem to be wildly different. This Music Hall of Williamsburg show in particular had a very, very young audience with only about half having seen the band before. Marketing can do a lot, right?
Essentially, the energy was high, the setlist was great, and baring a few sound issues, Joywave was fantastic. They mentioned they were recording for their next album, which can only mean good things, and I definitely will go out of my way to catch them again.
Bottom line: If you like solid tunes, sassy frontmen with bad facial hair, and a good time, check out Joywave. Or The Killers circa the 2006 Sam’s Town era – both aptly apply.
Bad Dreams (w/ Mikaela Davis on harp lead-in instrumental)
Life in a Bubble I Blew
this felt like perhaps the first Joywave headlining show where they really got to dictate the show; they weren’t opening for anyone, they were fully independent and self-sufficiently awesome
they played “Golden State”!! it’s my favorite deep cut from their first EP Koda Vista and I was beyond psyched to see that live
the crowd was surprisingly into it the entire time, regardless of being overwhelmingly male – a fact true only for this particular Joywave show, I’ve found
loved that the band mentioned having extra money in their budget from the label, which led to them purchasing like a 10-foot tall blow-up replica of their keyboardist Ben Bailey – classiccccc
the band did the classic Joywave move of playing only half of “Tongues” before jumping into a second performance of “Destruction” – alright, alright you got me
could we have at least finished “Tongues” before going into “Destruction” twice? yes, yes we could have
(d) overall thoughts
Undeniably, this show was fun from beginning to end. It truly felt like Joywave was throwing a party and invited all their best friends to hang out. Their CultCo labelmates Kopps opened and they, like Joywave, are fun but in a strangely unique way. My friends and I were in the front row and the night was very much an intimate celebration of Joywave’s success.
The high-energy set kept the room consistently alive as the band relentlessly drove through both the newer hits and the older deep cuts. The band’s self-aware banter and aggressive dancing felt refreshing and exciting, like we were all apart of the band’s growing history. They’re very much a band that understands the notion of performance; every show feels like you’re watching them at a very timely and important moment in their career. It feels like they’re honestly on the verge of blowing up in the music world in a real way. I hope that happens – not only to feel like I was part of a band’s rise but really because they deserve it. Joywave works hard to win audience’s over and I’ll always appreciate that.
As previously mentioned, in classic Joywave manner, the band stopped probably their biggest hit to date, “Tongues” and ended the set with a second performance of “Destruction.” It was funny, I appreciated the sentiment, and it was additionally super cool that that performance ended being heavily featured in their tour music video for “Destruction” (which my friends and I are in!), but…I really wanted to hear all of “Tongues,” guys! Ah, well.
Bottom line: Joywave are fun and talented, and damn, do they know it. They screw around with the crowd at the crowd’s expense quite a bit, but I appreciate that they take risks and never, never bore me.
this was a CMJ Festival show and the lineup was pretty good – I love going to this fest every fall in New York; it’s really not something to be missed
loved the setlist – at this point, the band felt the most full-bodied they’d ever been
really solid crowd interaction throughout
nabbed the setlist at the end of the show, which was cool – it still hangs in my bedroom today
I know some acts would disagree with me, I genuinely like Brooklyn Bowl as a concert venue – yeah so people are bowling like 20 feet away, but isn’t that sort of DIY awesome? (yeah, it’s not DIY at all and very ‘Brooklyn’ but whatever)
nothing comes to mind
(d) overall thoughts
The CMJ Festival is a cool, week-long shindig that takes places in and around various venues across NYC and Brooklyn in October. Super small and local bands will play, but bigger acts as well. I was super happy to hear Joywave would be headlining that night – their agency was putting on a last-minute event with them at the top of the bill and I was so into it.
I had seen Joywave many times before this, but this was the most present and confident they had felt to me. It was right around this time that “Somebody New” and its accompanying music video came out, and they were gaining more and more traction following the heels of “Tongues” and its success. Their growing popularity made them better performers, yes, but it also brought a bit of self-importance. They’re strangely self-aware of that self-importance, which makes the whole meta-awareness of their band more interesting, but also more complicated. Anyone who has experienced their social media or live show would probably confirm having a similar experience of the band.
Regardless of any of that, the band killed, the crowd was into it, and I didn’t mind too much that they seem to simultaneously actively dislike their own audience while also wanting our approval. I think Joywave makes solid, interesting, and memorable music and I’m eager to hear anything new they come out with soon.
Bottom line: Joywave is fun, CMJ shows are always a neat look into where the music scene might be heading in the future, and there’s nothing wrong with playing a rock show next to people bowling, okay.
*Atlas Genius played in between Joywave and The Kooks and they were alright – nothing good or bad to report either way. Just filler.
(1a) (Joywave’s) setlist
Setlist.fm doesn’t have the details, but I remember them playing maybe 5 or 6 songs. “Destruction,” “Tongues,” “Feels Like a Lie,” “Now,” and “Somebody New” were definitely ones I remember.
all the aforementioned songs
I love the Central Park Summerstage shows – cool environment, good food, generally a nice venue space
the crowd didn’t move, as always; as if the entirety of New York is incapable of getting into a band or performance they didn’t immediately pay to see
(1d) overall thoughts
Joywave is best when they feel they need to earn the audience’s respect, I think. They work so hard to make even the most dead crowd move and get into the music. When the audience doesn’t respond, everything just becomes funny. I really remember Daniel calling out New York City crowds for being too cool to dance and my friends and I overcompensating by being super into it, which is always the best.
Bottom Line: Would definitely recommend not only seeing a band play in this Central Park venue, but everyone should absolutely see Joywave live if only for the small chance they play “Destruction” twice.
(2a) (The Kooks’) setlist
She Moves in Her Own Way
Always Where I Need to Be
again, the environment – the middle of Central Park is so beautiful at dusk
they didn’t play for long, but the whole crowd was super into it – again, my surprise as hugely popular The Kooks have become over the years
the sound and lights were on-point, which can be difficult in an outdoor venue – major props
nothing really bad to say
(2d) overall thoughts
Much like their Firefly performance, The Kooks brought such a large sound to their Central Park stint. It’s funny – I remember thinking their set was so full-bodied and resonant with the crowd for just under an hour, but setlist.fm claims they played only seven songs. Isn’t it funny how having a good crowd with solid as hell songs can make me remember the experience differently? Hope The Kooks get even better and continue to put out even bigger sounding songs.
Bottom Line: The Kooks are cool and I swear I’m gonna find out how so many young people have embraced them nearly ten years after they debuted.
those dudes actually played “Destruction” twice, hahahaha
going to a show only for the opening band has its perks – you leave when they’re done!
seeing Joywave totally command a room of people who weren’t even there to see them
no, really, they played “Destruction” twice
having to be in such close proximity to Bleachers’ fans, who turned out to be the worst
(d) overall thoughts
I don’t often go to shows only to see the opening band, but I do that when the opening band is Joywave. They opened for Bleachers at Terminal 5, and even though I had absolutely no interest in seeing Bleachers, I knew I couldn’t miss Joywave. I first discovered them when they opened for The Killers in August 2014 and it’s been really cool to watch them rise since then. They hadn’t even put out a full album at this point, but did have one of the best damn EP’s I’ve ever heard: How Do You Feel? Most of the songs they played were featured on that EP, and eventually comprised half the album they released later that year, How Do You Feel Now?
The most important thing to know about Joywave is that they really don’t give a fuck. It’s less than a little known secret that the band is obsessed with themselves and their song “Destruction,” in particular. The whole thing is sort of obnoxious and ridiculous and stupid, but 100% hysterical. Singer Daniel Armbruster not only demands that the audience jump, touch the floor, and scream for this song, but agree with him that is so-called “the greatest song ever written.” So the band opened with “Destruction.” But because not every member of the audience (who did not pay to see Joywave – with the exception of me, my friend, and maybe 3 other people) danced and moved and followed directions during the song, they played it again. God, I was laughing so hard. What a band.
Most importantly, Joywave is hysterical, yeah, but their songs kick ass. Every song sounds different, but every song sounds like them – a quality I find so, so uncommon in modern rock and indie music these days. These guys got heart and they’re still rising. Can’t wait to keep watching that.
Bottom line: Joywave have great freaking songs, but they will bully you into dancing along to them, which I am 100% okay with.