Brian Wilson 9/24/16

(a) setlist

Set 1:

    1. Our Prayer
    2. Heroes and Villains
    3. California Girls
    4. Dance, Dance, Dance
    5. I Get Around
    6. Shut Down
    7. Little Deuce Coupe
    8. In My Room
    9. Surfer Girl
    10. Don’t Worry Baby
    11. Salt Lake City
    12. Wake The World
    13. Add Some Music to Your Day
    14. California Saga: California
    15. Darlin’
    16. Sail Away
    17. Wild Honey
    18. Sail On, Sailor

Pet Sounds set:

    1. Wouldn’t It Be Nice
    2. You Still Believe In Me
    3. That’s Not Me
    4. Don’t Talk (Put Your Head On My Shoulder)
    5. I’m Waiting for the Day
    6. Let’s Go Away for Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There’s An Answer
    10. Here Today
    11. I Just Wasn’t Made for These Times
    12. Pet Sounds
    13. Caroline, No


    1. Good Vibrations
    2. Help Me, Rhonda
    3. Barbara Ann
    4. Surfin’ USA
    5. Fun, Fun, Fun
    6. Love and Mercy

(b) highlights

  • I can’t even emotionally talk about the setlist, I mean look at the setlist, LOOK AT IT, ARE YOU LOOKING??? Pet Sounds. Those “opening” tracks.” The classics…I can’t even believe I witnessed what I actually witnessed.
  • I don’t think people understand how much I love the Beach Boys and how incredible it was to see Brian Goddamn Wilson and Al Jardine live performing Pet Sounds in its entirety.
  • The following quotes are some of my most favorite things I’ve ever heard at a show:
    • “Did anyone come to the show tonight to hear bad vibrations? What about weird vibrations? No! It’s about Good Vibrations! Hit it, boys!”
    • “Hi, I’m Brian Wilson and this is the first song I ever wrote.” *starts “Surfer Girl”*
    • “This next one is the greatest song I ever wrote.” *starts “God Only Knows”*
    • “Can everyone sing ‘Row, Row, Row Your Boat’? This is my favorite part of the show.”
  • Every single minute of this show is something I’ll remember until the day I die and I feel privileged as hell to say I was even there at all.

(c) lowlights

  • this is barely a lowlight and more speaks to reality, but it was a bit rough to see how much Brian Wilson has aged over the years. I suppose any of us should be lucky that this true GENIUS of a man is still with us, but he has officially reached full Grandpa Status and you know what? That’s actually okay. Not a lowlight. Just a fact.
  • the lighting, ughhhh. Al Jardine wearing all white + harsh lighting + sitting in tier 3 = not the best photos of all time.

(d) overall thoughts

One of my earliest memories in existence involves The Beach Boys. Music is such a powerful thing – that’s obvious – but it really speaks to me as a person that I honest-to-God remember being two years old, sitting in the backseat of my dad’s car and hearing “Fun, Fun, Fun” playing on the radio.I was born and raised in Los Angeles, and lived there the first 18 years of my life before leaving California for college…so I suppose it’s not that surprising to hear that I’m a fan of the Beach Boys. I’m one of those fans that – yeah, of course I love The Beatles, I am human, after all – however, if I had to choose between The Beach Boys and The Beatles…I’m going to go with the former. I know. I’m a huge Anglophile and could never doubt the lasting effect that Paul, John, George, and Ringo have had on not only music but culture. But also, if I’m being honest, I understand and attach myself to the clear genius that is Brian, Carl, Dennis, Al, and Mike and I will defend them until the day I die. (Fun fact: After hearing “Good Vibrations,” John Lennon and Paul McCartney went back to the studio, scrapped nearly the entire album they had recorded at the time, and knew they had to start over because of how incredible that one song was. Then they wrote Sgt. Pepper’s Lonely Hearts Club Band…you’re welcome, world.)

But I’m getting away from Brian Wilson. This is all about him. Tickets for this show went on sale just a few short weeks after the stupidly and emotionally devastating death of David Bowie. And I feel awful saying this, but I knew I couldn’t miss this. I was lucky enough to see “The Beach Boys” (aka just Mike Love and a bunch of dudes including John Stamos as a badass drummer) a few summers ago, but I’ve never had the opportunity to see Brian Wilson perform – let alone see him perform the entirety of Pet Sounds with Al Jardine. I didn’t know what to expect other than pure, unadultered genius, and holy crap did I get that and then some.

You know you’re a musical genius and a one-in-a-million human being when you can open your 50th Anniversary show for an album that you wrote when you were 23 (!!!!) with an hour and a half of hits, b-sides, and deep cuts and the entire audience pretty much knows every word without even hinting at that 50th anniversary album. What. Like. Brian Goddamn Wilson. The emotional night started off heavy and never let up for the next three hours. We had the pain of “Heroes and Villains” and “In My Room,” among others, while absorbing all the classic fun of “Dance, Dance, Dance,” “I Get Around,” and Little Deuce Coupe.” Unbelievable. Sure, I went to this show alone and was definitely in the 2% minority of young people below the age of 35 in the crowd, but I’m sure I looked even weirder pretty much crying during every song. The New York crowd absolutely enjoyed themselves in every way, but I’m not sure non-California-born people could appreciate the perfection that was “California Girl.” And with God as my witness, “Don’t Worry Baby” is probably my most favorite song of all-time. Ever. Like EVER. And to see Brian Wilson perform it?? With Al Jardine? Truly ungoddamnbelievable.

By the time we got to Pet Sounds, the music had literally taken over the room. It’s as if all those hits had a mind of their own. Each track felt bigger than the one before it, and filled every inch of the Beacon Theatre. The show almost should’ve taken place outside just so each note could float above and beyond the people before it. You almost forgot that Brian Wilson was the mind behind those songs because they even felt bigger than him, bigger than all of us. What an incredible musician must you be for your work to transcend time, space, people, and emotion to just exist as an ideal?? The harmonics of “Wouldn’t It Be Nice,” “Don’t Talk,” and “Sloop John B” alone is enough for The Beach Boys to stand the test of time, but then you have “God Only Knows” – a song that John Lennon once called “the greatest song ever written” – and it’s unbelievable that something like that exists.

I could go on for days and nights and all of time talking about those songs, but I won’t. Aside from the music itself, some things must be noted. Yeah, Brian Wilson didn’t quite sound like his best self because he’s an old grandpa and um, has also been through some things in his life (re: every bio on Wilson and the Beach Boys ever written), but it’s okay. Al Jardine still sounded pretty damn good and is still a solid guitar player, but shiiiiiittttt, his son Matt Jardine was NEXT LEVEL. Brian and Al had a pretty extensive backing band of about a dozen dudes including Al’s son Matt, who has essentially taken on the super high harmonies that Brian used to handle. He sounded unbelievably and truly just like Wilson used to; he brought so many subtle vocal moments and harmonies to life, and I loved it so much. Musically, every note felt and sounded exactly like putting Pet Sounds on vinyl in gigantic room, closing your eyes, and swimming. And what else could I possibly ask for? You don’t need anything once you have those songs because, just as they did 50 years ago, or about 20 years ago just for me, those songs mean everything.


Bottom line: Brian Wilson is a musical treasure, genius, and historically significant man in our culture whether music fans know it or not. Getting to hear so many of those classic and perfect songs – let alone Pet Sounds alone – isn’t something I’ll ever forget. The closest emotional live experience I’ve had to this show is seeing Paul McCartney live – and I don’t think that’s a coincidence. Acts like The Beach Boys and The Beatles are legends because someone who’s half the age of their music can so easily connect it decades down the line. I am living proof that this music has and will continue to stand the test of time, so I can’t freaking wait to see who else will fall in love with it in the years to come.

Big Talk 7/19/15

(a) setlist

  1. What Happened to Delisa?
  2. La Rue D’Awakening
  3. White Dove
  4. Getaways
  5. Hold That Line
  6. Animal Husband
  7. The Void
  8. Cocktail Party
  9. What The Night Can Do
  10. I’ve Been Sentimental Lately
  11. Living In Pictures
  12. Replica
  13. Anything That’s Rock ‘n’ Roll (Tom Petty & the Heartbreakers cover)
  14. Another Satellite
  15. Neon’s Not Enough Light

(b) highlights

  • RVJ, duh
  • that setlist!!! finally got to hear some older Big Talk songs I missed on the first go-around
  • getting to chat with the guys; there is no sweeter person on Earth than Taylor Milne, I swear to God
  • the Casbah is basically a bar – so tiny and so intimate; I get Bunkhouse vibes from it

(c) lowlights

  • there was an asshole drunk heckler yelling during, before, and after songs who I actually had to yell at – who even does that?? at a small intimate show?? go home.
  • the crowd was subdued – why why why why do you pay to go to a concert to not move, why why, I will NEVER understand this

(d) overall thoughts

I was super lucky to even be at this show. My brother was getting married later in the week, so I got to fly back home to LA and took a quick train down to San Diego to see Big Talk. The show was stupidly intimate and small – it was pouring outside and I swore you could hear the rain pattering outside in between songs. The stage was barely a foot off the ground, so you were RIGHT there during the performance. It was freaking cool.

Last time around seeing Big Talk, they played the entirety of their new album Straight In No Kissin’ with one old song, so I was pretty psyched to hear classic tracks like “Getaways” and “Replica,” among others. The newer Big Talk album still hadn’t been released at this point (it came out the next day!), but I still strangely felt so familiar with all the new music. A mix of Tom Petty, perhaps even the Beach Boys, and the usual Big Talk sound combined to make that good ole fashioned rock ‘n’ roll. Ronnie’s voice worked perfectly with those tunes and it was clear that all the guys played well together; wordless head nods and seamless transitions gave off a solid jam-band vibe to the show.

The crowd was objectively sub-par and I think the band was kinda down about it, but it was no bother. Everyone killed it, I had a great time, and even got to chat a bit with the guys. Ronnie vaguely prepared me for a coming surprise for their Jimmy Kimmel performance later in the week, and Taylor chatted a bit about the setlist and songs he liked. Couldn’t ask for nicer dudes and more enjoyable tunes.


Bottom Line: Big Talk are freaking awesome and I will literally murder you if you interrupt Ronnie Vannucci Jr. while he’s speaking on stage, bye.

Note: I took roughly a million photos, didn’t edit any of them, none of them are perfect, but I put them up because they were my experience and that’s cool. You’re welcome.