Brian Wilson 9/24/16

(a) setlist

Set 1:

    1. Our Prayer
    2. Heroes and Villains
    3. California Girls
    4. Dance, Dance, Dance
    5. I Get Around
    6. Shut Down
    7. Little Deuce Coupe
    8. In My Room
    9. Surfer Girl
    10. Don’t Worry Baby
    11. Salt Lake City
    12. Wake The World
    13. Add Some Music to Your Day
    14. California Saga: California
    15. Darlin’
    16. Sail Away
    17. Wild Honey
    18. Sail On, Sailor

Pet Sounds set:

    1. Wouldn’t It Be Nice
    2. You Still Believe In Me
    3. That’s Not Me
    4. Don’t Talk (Put Your Head On My Shoulder)
    5. I’m Waiting for the Day
    6. Let’s Go Away for Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There’s An Answer
    10. Here Today
    11. I Just Wasn’t Made for These Times
    12. Pet Sounds
    13. Caroline, No


    1. Good Vibrations
    2. Help Me, Rhonda
    3. Barbara Ann
    4. Surfin’ USA
    5. Fun, Fun, Fun
    6. Love and Mercy

(b) highlights

  • I can’t even emotionally talk about the setlist, I mean look at the setlist, LOOK AT IT, ARE YOU LOOKING??? Pet Sounds. Those “opening” tracks.” The classics…I can’t even believe I witnessed what I actually witnessed.
  • I don’t think people understand how much I love the Beach Boys and how incredible it was to see Brian Goddamn Wilson and Al Jardine live performing Pet Sounds in its entirety.
  • The following quotes are some of my most favorite things I’ve ever heard at a show:
    • “Did anyone come to the show tonight to hear bad vibrations? What about weird vibrations? No! It’s about Good Vibrations! Hit it, boys!”
    • “Hi, I’m Brian Wilson and this is the first song I ever wrote.” *starts “Surfer Girl”*
    • “This next one is the greatest song I ever wrote.” *starts “God Only Knows”*
    • “Can everyone sing ‘Row, Row, Row Your Boat’? This is my favorite part of the show.”
  • Every single minute of this show is something I’ll remember until the day I die and I feel privileged as hell to say I was even there at all.

(c) lowlights

  • this is barely a lowlight and more speaks to reality, but it was a bit rough to see how much Brian Wilson has aged over the years. I suppose any of us should be lucky that this true GENIUS of a man is still with us, but he has officially reached full Grandpa Status and you know what? That’s actually okay. Not a lowlight. Just a fact.
  • the lighting, ughhhh. Al Jardine wearing all white + harsh lighting + sitting in tier 3 = not the best photos of all time.

(d) overall thoughts

One of my earliest memories in existence involves The Beach Boys. Music is such a powerful thing – that’s obvious – but it really speaks to me as a person that I honest-to-God remember being two years old, sitting in the backseat of my dad’s car and hearing “Fun, Fun, Fun” playing on the radio.I was born and raised in Los Angeles, and lived there the first 18 years of my life before leaving California for college…so I suppose it’s not that surprising to hear that I’m a fan of the Beach Boys. I’m one of those fans that – yeah, of course I love The Beatles, I am human, after all – however, if I had to choose between The Beach Boys and The Beatles…I’m going to go with the former. I know. I’m a huge Anglophile and could never doubt the lasting effect that Paul, John, George, and Ringo have had on not only music but culture. But also, if I’m being honest, I understand and attach myself to the clear genius that is Brian, Carl, Dennis, Al, and Mike and I will defend them until the day I die. (Fun fact: After hearing “Good Vibrations,” John Lennon and Paul McCartney went back to the studio, scrapped nearly the entire album they had recorded at the time, and knew they had to start over because of how incredible that one song was. Then they wrote Sgt. Pepper’s Lonely Hearts Club Band…you’re welcome, world.)

But I’m getting away from Brian Wilson. This is all about him. Tickets for this show went on sale just a few short weeks after the stupidly and emotionally devastating death of David Bowie. And I feel awful saying this, but I knew I couldn’t miss this. I was lucky enough to see “The Beach Boys” (aka just Mike Love and a bunch of dudes including John Stamos as a badass drummer) a few summers ago, but I’ve never had the opportunity to see Brian Wilson perform – let alone see him perform the entirety of Pet Sounds with Al Jardine. I didn’t know what to expect other than pure, unadultered genius, and holy crap did I get that and then some.

You know you’re a musical genius and a one-in-a-million human being when you can open your 50th Anniversary show for an album that you wrote when you were 23 (!!!!) with an hour and a half of hits, b-sides, and deep cuts and the entire audience pretty much knows every word without even hinting at that 50th anniversary album. What. Like. Brian Goddamn Wilson. The emotional night started off heavy and never let up for the next three hours. We had the pain of “Heroes and Villains” and “In My Room,” among others, while absorbing all the classic fun of “Dance, Dance, Dance,” “I Get Around,” and Little Deuce Coupe.” Unbelievable. Sure, I went to this show alone and was definitely in the 2% minority of young people below the age of 35 in the crowd, but I’m sure I looked even weirder pretty much crying during every song. The New York crowd absolutely enjoyed themselves in every way, but I’m not sure non-California-born people could appreciate the perfection that was “California Girl.” And with God as my witness, “Don’t Worry Baby” is probably my most favorite song of all-time. Ever. Like EVER. And to see Brian Wilson perform it?? With Al Jardine? Truly ungoddamnbelievable.

By the time we got to Pet Sounds, the music had literally taken over the room. It’s as if all those hits had a mind of their own. Each track felt bigger than the one before it, and filled every inch of the Beacon Theatre. The show almost should’ve taken place outside just so each note could float above and beyond the people before it. You almost forgot that Brian Wilson was the mind behind those songs because they even felt bigger than him, bigger than all of us. What an incredible musician must you be for your work to transcend time, space, people, and emotion to just exist as an ideal?? The harmonics of “Wouldn’t It Be Nice,” “Don’t Talk,” and “Sloop John B” alone is enough for The Beach Boys to stand the test of time, but then you have “God Only Knows” – a song that John Lennon once called “the greatest song ever written” – and it’s unbelievable that something like that exists.

I could go on for days and nights and all of time talking about those songs, but I won’t. Aside from the music itself, some things must be noted. Yeah, Brian Wilson didn’t quite sound like his best self because he’s an old grandpa and um, has also been through some things in his life (re: every bio on Wilson and the Beach Boys ever written), but it’s okay. Al Jardine still sounded pretty damn good and is still a solid guitar player, but shiiiiiittttt, his son Matt Jardine was NEXT LEVEL. Brian and Al had a pretty extensive backing band of about a dozen dudes including Al’s son Matt, who has essentially taken on the super high harmonies that Brian used to handle. He sounded unbelievably and truly just like Wilson used to; he brought so many subtle vocal moments and harmonies to life, and I loved it so much. Musically, every note felt and sounded exactly like putting Pet Sounds on vinyl in gigantic room, closing your eyes, and swimming. And what else could I possibly ask for? You don’t need anything once you have those songs because, just as they did 50 years ago, or about 20 years ago just for me, those songs mean everything.


Bottom line: Brian Wilson is a musical treasure, genius, and historically significant man in our culture whether music fans know it or not. Getting to hear so many of those classic and perfect songs – let alone Pet Sounds alone – isn’t something I’ll ever forget. The closest emotional live experience I’ve had to this show is seeing Paul McCartney live – and I don’t think that’s a coincidence. Acts like The Beach Boys and The Beatles are legends because someone who’s half the age of their music can so easily connect it decades down the line. I am living proof that this music has and will continue to stand the test of time, so I can’t freaking wait to see who else will fall in love with it in the years to come.

Noel Gallagher’s High Flying Birds 7/5/16

(a) setlist

    1. Everybody’s on the Run
    2. Lock All The Doors
    3. In the Heat of the Moment
    4. Riverman
    5. Fade Away (Oasis cover)
    6. The Death of You and Me
    7. You Know We Can’t Go Back
    8. Champagne Supernova (Oasis cover)
    9. Ballad of the Mighty I
    10. Talk Tonight (Oasis cover)
    11. D’Yer Wanna Be a Spaceman? (Oasis cover)
    12. The Mexican
    13. Half The World Away (Oasis cover)
    14. Listen Up (Oasis cover)
    15. If I Had a Gun…
    16. Digsy’s Dinner (Oasis cover)
    17. The Masterplan (Oasis cover)


  1. Wonderwall (Oasis cover)
  2. AKA…What a Life!
  3. Don’t Look Back in Anger (Oasis cover)

(b) highlights

  • I have been waiting to see Noel Gallagher live since the beginning of time, this show was incredible
  • people who hate on Noel Gallagher: I have one question for you – did you write “Champagne Supernova”? No? Then sit the eff down and shut it.
  • “Talk Tonight,” “The Masterplan,” “Wonderwall,” “Champagne Supernova,” “Half the World Way,” “If I Had a Gun…” LIKE OH OKAY
  • “Don’t Look Back in Anger” is one of my favorite songs ever written. like. of all time. It meant so, so, so much to hear it live, you have no idea
  • Noel Gallagher’s in-between song banter is what puts him just about “National Treasure” into “Perfect Human” category
  • for the most part, the crowd was super into everything and dead awesome

(c) lowlights

  • my friends and I stood up during “Champagne Supernova” because we are human and the people behind us got annoyed. even though we also had people standing in front of us. and these people were fully capable of standing. and instead of just asking us to maybe sit, they threw a cup at me. LOOOOOOL.

(d) overall thoughts

Noel Gallagher is a genius. The end. Not much else to say.

But I guess I could go on. The Beacon Theatre is completely gorgeous and I’d been looking forward to this show the moment I heard about it. I first really got into Oasis about 12 years ago, so I never got to see them when they were still touring and the Gallaghers didn’t fully hate each other yet. I’ve always thought Noel was the real talent between the two (sorry Liam), so getting to see him during his solo work was amazing. Chasing Yesterday is a killer album and that live band really brings home the goods. And I don’t think a single person in that venue wasn’t singing along to “If I Had a Gun…” Man, how great is that.

Noel has always said that he plays so much Oasis material because they’re his songs – he wrote them – and the dude’s got a point. I freaking loved every minute of it. You can’t deny the significance of Oasis or Noel Gallagher or Britpop in general when you walk into the venue and hear “Champagne Supernova” echoing off the walls. Noel is pretty much just standing there in simple slacks and a button-down, with his guitar, and a modest screen behind him. That’s it. There aren’t big shiny laser lights or huge theatrics. Just these massive songs with incredible feeling and emotion. And for all the jokes Gallagher tells and all the times he swears he doesn’t give a shit about anything…you know he cares about those songs. How could you not?

Noel started the encore by saying, “This next song pays for my wages. And the band’s wages. And got me a house. And probably paid your wages too. It’s because of this song, that I can do anything at all.” Some might find that cynical or whatever – hell, I admit that I laughed – but, also…how freaking special is that? Because “Wonderwall” is a song that exists in the world, literally thousands of people get to do what they love and witness something really freaking cool. “Don’t Look Back in Anger” is one of my favorite songs ever – really, truly ever – and you know that a musician or songwriter has unbelievable power when he doesn’t even have to sing the words; the entire crowd sang it back to him. Every person in that theatre sang every chorus of the song right back to Noel and, Christ, there are few better moments in live music than that.

Bottom line: Noel Gallagher is one of my favorite people ever, so seeing this show is something I’ll treasure for the rest of my life. Not only is Noel freaking hysterical in every way, but he’s a killer musician who’s still consistently putting out stellar music. Who else can say they wrote one song that changed the world? Not many.